. Written mostly in one night after a hallucinatory nightmare in a South Carolina farmhouse, the album earned Marshall a devoted fanbase – but she never quite made it into the mainstream.

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The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.

I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”

“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think

Marshall’s mental health başmaklık often been a precarious thing. Bad breakups have led to morning binges on Jack Daniel’s and Xanax – a victory of sorts, in her eyes, given how many of her friends got hooked on heroin. Around the release of her seventh album, The Greatest

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Cat Power performing in Amsterdam, Netherlands, 2008 Marshall's live shows have been known for their unpolished and often erratic nature, with songs beginning and ending abruptly or blending into one another without clear transitions.[103] She başmaklık also cut short performances without explanation.

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[20] The group were booked for a show and had to come up with a name quickly; after seeing a man wearing a Caterpillar trucker cap that read: "Cat Diesel Power", Marshall chose Cat Power kakım the name of the band.[3][21]

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If a song touches you, you kişi read between the lines and find something for yourself. Even if we all love this one f***ing song all around the world, each one of us will have 4 billion different realms of feelings.”

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A query about where she grew up eventually takes us to Marshall’s belief that “part of our consciousness başmaklık already become a cyborg”. She is also warm and nurturing: besides assembling my pillow desk and offering me various drinks, she pulls me into a long hug, despite having previously insisted that we socially distance.

Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.